Keeper Review: Osgood Perkins’ New Horror Movie Is a Major Step Down

Key Takeaways:

• Osgood Perkins has explored multiple horror subgenres, including serial killer stories and dark comedies.
• Keeper is a surrealist approach focused on a couple’s secluded cabin trip.
• Critics call Keeper “a major step down” from Perkins’s previous works.
• The film relies on classic horror tropes of isolation and tension.
• Published on ComingSoon.net in late 2025, the review signals potential disappointment for fans.

Osgood Perkins’s Changing Horror Palette

Osgood Perkins is no stranger to horror. As one review notes, “From the supernatural serial killer thriller of Longlegs to the over-the-top dark comedy of this year’s The Monkey, director Osgood Perkins has been cranking out different types of horror like nobody’s business.” This track record of varied storytelling set high expectations for his next project, drawing film fans eager to see how Perkins might reinvent the genre yet again.

Keeper’s Isolated Premise

The director’s newest outing, Keeper, ventures into surreal territory. The film follows a couple who head to a secluded cabin for their anniversary weekend, a setup that taps into a classic horror scenario—an isolated locale primed for tension and dread. While little else is revealed about the couple’s background in the original piece, the promise of psychological unease and atmospheric spookiness is evident.

Critical Reception and the “Major Step Down” Claim

However, early commentary from the same review suggests that Keeper struggles to reach the standard set by Perkins’s prior works. Published on ComingSoon.net, the piece explicitly labels Keeper “a major step down.” Though it doesn’t dive into extensive detail about the film’s flaws, the mention alone sets a firm tone for horror enthusiasts, hinting that Perkins’s strong track record may not salvage this release.

Where Keeper Fits in the Horror Landscape

Keeper aims to blend surrealism, relationship drama, and horror conventions. Yet the consensus, as indicated by the review, is that the film’s potential fails to fully materialize. Perkins’s fans anticipating another standout genre piece might find themselves with tempered expectations. While it’s too soon to tally the full scope of audience reactions, the original critique suggests Keeper may not echo the acclaim of Perkins’s earlier works like Longlegs or The Monkey. The question that remains is whether this latest project will stand on its own or fade into the background of contemporary horror offerings.