Emily Brontë’s “Wuthering Heights” takes on a new shape in this film adaptation. In his review, film critic Bob Garver reveals he has not read the renowned novel and finds relief in the movie’s departures from its literary source.
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Movie Reviews
Review: ‘Wuthering Heights’
Photo by Hammondstar
Key Takeaways:
- The film is based on Emily Brontë’s novel, “Wuthering Heights.”
- Bob Garver, a film critic, has not read the original text.
- The adaptation reportedly differs from the classic story.
- The reviewer finds these changes “relieving.”
- Hammondstar published this review on February 25, 2026.
Opening Paragraph
“Wuthering Heights” has long been celebrated among literary circles for its dark romance and complex characters. However, for Bob Garver—who candidly confesses he never read the original novel—this new film adaptation comes as an intriguing departure from what little he knows of Emily Brontë’s celebrated work.
Focusing on the Source Material
Emily Brontë’s novel has influenced generations of readers since its initial publication. Yet Garver openly admits, “I’ve never read the novel, which is probably for the best.” His unfamiliarity underscores a unique viewpoint: rather than comparing the film to the book’s intricate details, he evaluates it solely as a standalone story.
Deviations from the Novel
One of the most notable observations is that the film reportedly diverges from Brontë’s original narrative. According to Garver, “Reports of the movie differing from the novel are actually quite relieving.” While he does not specify which parts are changed, he suggests the adaptation is free to interpret the themes of love, betrayal, and tragedy in its own manner.
Critic’s Perspective
As a critic who has not been influenced by the novel’s prior interpretations, Garver’s fresh take may resonate with viewers watching this adaptation as their first introduction to “Wuthering Heights.” He offers no direct spoilers, but his insights show an appreciation for creative license: “They’re relieving in the…” is the hint he leaves, pointing to open-ended reflections or possibly a less oppressive tone than might be expected from the original text.
Concluding Thoughts
Though specific details remain elusive—partly because the full content is only available through paid plans—Bob Garver’s review suggests that this new “Wuthering Heights” aims to both honor and depart from Brontë’s work. For fans of the novel, the changes may be surprising; for newcomers like Garver, they may offer an accessible window into a 19th-century classic reinterpreted for modern audiences.
