Luci Gutiérrez’s latest cover in The New Yorker, titled “Inside Story,” captures a playful spirit through the theme “The games we play.” Published on December 15, 2025, the piece falls under “top” and “entertainment,” drawing readers into a thoughtful blend of art and cultural reflection.
William Steig’s work balances moments of gritty authenticity with uplifting sweetness. His stories stand apart for their refusal to shy away from harsh realities and for spotlighting memorable female characters.
In a year marked by hurdles, several television series managed to rise above the fray. Drawing from The New Yorker’s daily newsletter, this piece explores how certain shows still managed to resonate with viewers despite the challenging climate—and why their success matters.
The New Yorker’s latest Shuffalo puzzle invites wordsmiths to test their vocabulary on December 10, 2025. With each new letter, participants aim for longer words, making it a lively, evolving linguistic challenge.
On November 27th, cartoonist David Sipress serves up a fresh illustration that lends a playful twist to the day’s breaking news. In his signature style of humor, the artwork offers a lighthearted commentary on current events and holiday celebrations.
Brendan Loper’s daily cartoon offers a playful perspective on current events, shining a satirical light on November’s headlines. Published in The New Yorker, it captures a moment in time through clever visuals and comedic flair.
Russell Vought, widely recognized as an architect behind Project 2025, has taken center stage amid a new government shutdown. The original New Yorker piece underscores how his involvement with this influential initiative contributed to ongoing tensions in Washington.
America’s track record with intense political violence continues to inform today’s hectic climate. In this recent coverage, staff writer Jane Mayer underscores that, despite present anxieties, the country has overcome even harsher episodes in its past—and may do so again.
