Osgood Perkins has unveiled the first, two-minute trailer for his upcoming horror film “Keeper.” The footage follows Tatiana Maslany and Rossif Sutherland as a couple whose romantic cabin retreat warps into something far more sinister.
Osgood Perkins’ ‘Keeper’ Gets Haunting First Trailer, Featuring Tatiana Maslany As A Woman Questioning Her Relationship During A Nightmarish Cabin Getaway
Key Takeaways:
- First trailer for Osgood Perkins’ horror film “Keeper” released
- Stars Tatiana Maslany and Rossif Sutherland as a couple on a retreat
- Two-minute clip shifts from idyllic to terrifying
- Relationship appears to fracture under encroaching “wickedness”
- Trailer features the haunting line, “Why does it always have to end?”
A Haunting First Look
The debut trailer for “Keeper” clocks in at just under two minutes, yet it wastes none of them. Director Osgood Perkins—long hailed as a horror auteur—opens on postcard serenity: a cabin nestled somewhere remote, bathed in soft daylight. The calm is short-lived.
The Stars at the Center
Tatiana Maslany and Rossif Sutherland anchor the preview, cast as partners hoping for a peaceful escape. Their chemistry initially suggests tenderness, a couple pausing real life for a weekend of quiet. Then the atmosphere shifts.
Cabin in the Woods
Exterior shots of towering trees give way to dim interiors and unsettling silences. What begins as leisure morphs into dread, each creak of floorboard or flicker of shadow hinting that the forest may be keeping its own secrets.
Love Under Siege
Midway through the trailer, a voice pierces the tension: “Why does it always have to end? Is there any way—” It trails off, unanswered, encapsulating both the desperation of a relationship in trouble and the unspoken horror pressing in from every side.
The Perkins Touch
Perkins frames ordinary spaces as threats, inviting viewers to question what hides in familiar corners. “Keeper,” at least from its first look, promises more than jump scares; it suggests an examination of how love frays when fear takes hold.
For audiences, the trailer offers just enough to unsettle—and just enough to want more.