‘The Hue of War,’ by Richard Petronio

Richard Petronio’s digital giclee print, “The Hue of War,” is one of the abstract works on display at the Afterimage exhibit in FOMA Gallery. This group show also introduces pieces by Bonnie Bishop, Clare Bonser, Fran Gutierrez, and Michael Miller, offering a vibrant look at the boundary-pushing realm of abstract photography.

Key Takeaways:

  • “The Hue of War,” by Richard Petronio, highlights an abstract interpretation of conflict.
  • The print is part of Afterimage, an exhibit focusing on abstract photography.
  • Bonnie Bishop, Clare Bonser, Fran Gutierrez, and Michael Miller also contribute intricate works.
  • FOMA Gallery provides a dedicated space for this innovative display.
  • The story originated from Santa Fe New Mexican Homepage | Santa Fe New Mexic on March 20, 2026.

The Abstract Realm of Afterimage

Afterimage is an intriguing abstract-photography show now on view at FOMA Gallery. This exhibit brings together a group of artists who aim to challenge conventional perspectives. At the core of Afterimage is a digital giclee print that immediately draws the curious eye—Richard Petronio’s “The Hue of War.”

Richard Petronio’s “The Hue of War”

Petronio’s digital giclee print sets a contemplative tone. While sparse on overt narrative, it evokes layers of interpretation about conflict through color, shape, and composition. As described by the show’s details, “The digital giclee print is part of Afterimage, an abstract-photography show at FOMA Gallery that also features work by Bonnie Bishop, Clare Bonser, Fran Gutierrez, and Michael Miller.”

A Showcase of Innovators

The breadth of the exhibit extends beyond Petronio’s creation. Bonnie Bishop, Clare Bonser, Fran Gutierrez, and Michael Miller each bring alternative ways of observing and capturing reality. Their abstract pieces reflect varied approaches to light, form, and memory, forming a cohesive yet diverse display.

Reflections on the Afterimage

Together, these works underscore how photography can transcend the literal. Through abstraction, Afterimage invites viewers to linger on each piece’s echoes and hidden layers. “The Hue of War” stands as a focal point, urging spectators to explore the interplay of color and conflict, and to consider what persists in one’s mind after the initial glance—an enduring afterimage shaped by creativity and reflection.

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